But if you can take your time and are producing assets in a more controlled environment, you would be hard-pressed to get better image quality, even at ten times the price. Trying to hold the camera out in front of you, mirrorless SLR style, for extended periods of time might do wonders for your bicep definition, but not much for the stability of your footage. This is also important because again there is no in-body image stabilization in the camera. If you opt for the EF mount as opposed to the PL mount of the base model, you can fit it with Canon EF lenses that have in-lens stabilization. But otherwise, you are going to want to factor in how you plan to keep yourself stable when shooting. For best results, you should shoot at base ISO of 800 or under and expose to the right to allow lots of light in.
Blackmagic URSA Viewfinder
Automatic recording of camera settings and slate data such as project, scene number, take and special notes. URSA Mini Pro includes a 4‑pin XLR industry standard power connector that works with 12V to 18V external power supplies. That means it’s easy to use the camera with all of your existing power supplies and batteries!
New Blackmagic Cinema Camera 6K
If you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built in speaker also lets you monitor the switcher audio as well. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what is happening and remain alert. Interchangeable PL mount that lets you use high quality professional cinema lenses with your camera. Gold mount compatible battery plate with Molex connector for attaching third party batteries to URSA cameras.
Forest - URSA Mini 4.6K
They are labeled 1, 2, 3 and 4 but actually select clear, two stops, four stops and six stops of ND. It would make more sense to label the dials Clear, 2, 4 and 6. Is it possible to start a movement to pressure all camera manufacturers to just make built-in NDs standard practice on all cameras going forward? While I have both a matte box and my fair share of both glass and screw in NDs, absolutely nothing beats the efficiency of being able to just dial in the NDs right from the camera body. For a video shooter, if you are going to shoot day exteriors at all, ND’s are a necessary part of your kit.
Power Requirements
It’s controlled via the USB‑C so you don’t have to worry about manually starting or stopping the SSD recorder. The new camera is built with a magnesium alloy chassis and carbon fiber polycarbonate composite skin. It also features standard accessory connection points to ensure compatibility with other production gear. Plus, it has two 5-inch touchscreen monitors and a color LCD status screen. As for lenses, the URSA Cine 12K has an interchangeable lens mount system that supports PL, LPL, EF and Hasselblad lens mounts. When it comes to SSD, it works with an external USB drive or the Blackmagic URSA Mini Recorder.
URSA Broadcast G2 gains cloud support, raw proxy and more in Camera 8.5.1 - DIY Photography
URSA Broadcast G2 gains cloud support, raw proxy and more in Camera 8.5.1.
Posted: Wed, 21 Feb 2024 08:00:00 GMT [source]
The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy. The URSA Cine 12K features a 12K image sensor that builds on the technology used in the URSA Mini Pro 12K.
Digital Cinema Camera
If you plan on shooting more run-and-gun style and need to put the camera on your shoulder, make sure to look at the shoulder kit they offer for 395 dollars. Its likely you will order the camera with the lens mount you need, but if you need to change it, there are three options. Pick from the PL mount for 245 dollars, the F mount for 375 dollars and lastly, if you need a Mini B4 mount, it will set you back 385 dollars. The URSA Mini Pro 4.6K ships with the EF mount, but if you need a replacement, an EF mount can be purchased for 175 dollars.
Change to PL, EF and F Lens Mounts!
The shoulder mount also includes a quick release attachment, so you can lock it into a tripod mount and remove it at any time. This means you can move the camera to your shoulder, then back to a tripod and then back to handheld instantly. Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount.
Blackmagic Design URSA Mini Pro 12K: What's It Like To Shoot A Commercial With A 12K Camera? - Fstoppers
Blackmagic Design URSA Mini Pro 12K: What's It Like To Shoot A Commercial With A 12K Camera?.
Posted: Wed, 13 Oct 2021 07:00:00 GMT [source]
Introducing DaVinci Resolve 19
The URSA Broadcast G2 works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. URSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX.
A number of my colleagues use the Blackmagic Design Pocket Cinema Camera 6K Pro or one of its predecessors, so I've always been curious. The ATEM Camera Control Panel provides independent controls for up to 4 URSA Mini, URSA Broadcast, Blackmagic Studio and Micro Studio cameras from a single control panel. You get iris control, shutter speed, white balance, master gain, pedestal, RGB controls for white and black, and more. ‘Of Two Lands’ founder, Florent Piovesan is a French Australian filmmaker currently based in the French Alps. As part of his popular YouTube Channel, he has nearly two hundred videos that showcase all things filmmaking alongside of his travels. ‘Our Perfect Day’ is a 240fps 4K resolution camera test, shot on Blackmagic’s URSA Mini Pro 12K using a Sigma Art lens.
You get a high quality 1920 x 1080 color OLED display with 4 element glass diopter for incredible accuracy with a wide focus adjustment, assignable function buttons and more. URSA Cine EVF is easy to set up with a single USB-C cable connection for video, power and camera control and can be position in multiple different ways. It also includes an extension arm to position it on a dolly or geared head.
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